“A Quiet Place,” which ran a taut, tense 90 minutes, took in more than $340 million worldwide on a production budget of about $17 million, making a follow-up all but inevitable. And some scenes absolutely left me on the floor.” “The bright line between myself and the character, which I normally have on most sets, got fairly blurry for me. “It’s her, standing in front of her children, and protecting them at all costs,” Blunt said. Our passion was based on John’s insight and his passion.” After a meeting with Paramount, Fuller said, “we had no resistance in terms of making the film.
But what got Krasinski the job was his enthusiasm in conversations with producers and studio executives. “There was nothing we could point to, to say that John Krasinski can direct a thriller,” Fuller said. If done correctly, Krasinski said, the film could be a testament to “parenthood and the strength of the family.” But at that point, the entries on his directorial résumé were a few episodes of “The Office” and two little-seen features: a 2009 adaptation of David Foster Wallace’s “Brief Interviews With Hideous Men” and the 2016 family comedy-drama “The Hollars.” (Woods and Beck shared screenwriting credit with Krasinski on “A Quiet Place” and are credited for characters in “Part II.” Through a representative, they declined to comment for this article.) To their surprise, Krasinski not only wanted the role - he also wanted to rewrite the script and direct the movie.
While Form and Fuller sought Krasinski for the title role in “Jack Ryan,” they also pitched him a draft of “A Quiet Place,” by the screenwriters Bryan Woods and Scott Beck, hoping he’d play the father.
Krasinski called cut the take was spoiled and would have to be tried again. Suddenly the stillness was punctured by a staccato tick-tick-ticking: the film in one of the cameras had come to the end of its reel and was flapping obnoxiously. Though Murphy despaired for humanity, Blunt told him not to lose faith because. The actors began their scene: Blunt, now a hardened survivor of the alien invasion, had entered the hiding place of a disheveled holdout played by the “Peaky Blinders” star Cillian Murphy. Standing on a cavernous sound stage built to look like the subterranean chambers of an abandoned steel mill, he called for silence and the instructions reverberated in rapid whispers as crew members conveyed them to the farthest reaches of the set. Nearly two years ago, in August 2019, Krasinski was directing his cast on the set of “A Quiet Place Part II” in Buffalo. He added, “I don’t think anyone’s brain was prepared for what was really about to happen.”
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Speaking in a video call from Budapest, where he recently resumed filming the Amazon action series “Jack Ryan,” he told me that he spent the past year hovering “somewhere between optimism and naïveté” as he waited for “A Quiet Place Part II” to finally arrive.
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A few overly familiar horror movie clichés keep it from being perfect, but otherwise A Quiet Place is so good that it will leave viewers speechless.Its release will also be a significant test of “A Quiet Place” as a franchise for Paramount, a studio that could really use one, and of Krasinski himself, an affable actor-director who hadn’t made a mark as a commercial filmmaker until he made the original movie. Images of water, sand, bare feet, crops, and plant life serve to underline the theme of life itself. No explanation is given for the monsters' existence they, like us, are just here. A loud noise can cause a jump, but it's immediately followed by tension and dread: Will the creatures come this time? The real beauty is the movie's primal quality, based on the most basic elements of life, such as survival and protection of the species. A Quiet Place is, in many ways, like an extended classic horror movie sequence, such as famous ones in The Birds or Aliens, wherein the heroes must try not to disturb packs of resting monsters.Īt the same time, Krasinski uses his quiet moments like music, ranging from moments of restful beauty - including a father-son trip to a waterfall, where it's noisy enough that they can talk and even shout - to moments of pause. It's directed and co-written by Krasinski, who's best known for his work in comedy but translates his experience in that genre to the expert building and releasing of tension here. This gripping, clever monster movie is one of those rare genre treats that seizes on a simple, unique idea and executes it so perfectly and concisely that it elicits satisfying squeals of delight.
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